Monday, July 15, 2013

Devil Rhymes #3

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Devil Rhymes #3
By Alexandra Seidel

Devil, devil in the mirror,
who's gonna marry the Apple Queen?
Devil, devil, you see clearer
where's this prince 'mongst the heavens' machine?

Devil, devil, sneer not so
the Queen will marry, ho ho ho!
Rock and sticks can stop her little,
she's like poison ivy, makes men's throats brittle.

~

Sunday, January 13, 2013

Devil Rhymes #2

Read Devil Rhymes #1.

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Devil Rhymes #2
By Alexandra Seidel

Devil, Devil in the well
sings of peaches! Custard! Hell!
Sweet devil with the cloven hoof
c'mon, let's rock All Heaven's roof!
Climb up the ladder, up the rungs
until you screech delight in tongues!
One, two, three, four,
who's first a-knocking on Heaven's door?


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Saturday, December 29, 2012

Works Published In 2012



Short Poems (1-49 lines):

Short Stories:

Devil Rhymes

I found a little something in my Drawer of Things Unpublished; enjoy, Reader!

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Devil Rhymes #1
By Alexandra Seidel

The devil, devil spoke to me, spoke to me, spoke to me
The devil, devil spoke to me ALL Sunday morning!

Hush you sinners, rabble, pigs, I'll dye you a scarlet Styx!
These crooked teeth, the crooked skin, your crooked smile--
Come let me in!

And fill your hands with berries sweet, berries sweet berries sweet
ALL Sunday morning!

(In the garden--quite contrary--
where DID that magpie go??)


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Sunday, December 9, 2012

How To Write A Cover Letter

File:Clio-Mignard.jpgThis is not the first blog post ever written on cover letters, it probably won't be the last. Blame annoyed editors who are trying to channel their passive aggressive tendencies into something productive.

What is a cover letter supposed to do? Well, it accompanies your story or poem, and it is often the first thing an editor looks at. Mind you, the editor actually wants to see the story or poem, so a cover letter should not be distracting. Also, the editor is so curious to read said story or poem that they can't wait, so the cover letter should be brief.

Here I have to defer to Hal Duncan, because he did one better than this post and actually tweeted a professional cover letter:

"Dear X, pls find enclosed "Y" (ZK words) as a submission for Yr Mag. Thx 4 yr time & consideration. The end"

Like this, please.

If you are not sure who will read your submission, write "Dear Editor." If there is more than one editor (you can find stuff like that out by, you know, looking at the guidelines and browsing the zine's site for a couple of minutes), write "Dear Editors." If you know who will look at the sub, it is perfectly acceptable to address them by name (Dear Ms./Mr. X).

Do not ever address an editor with "Dear Sir or Madam." Just don't.

If it's a cover letter for a poem, you can include line and/or word count (with most sf/f markets, it is acceptable to omit this part altogether when you submit poetry as they will pay a fixed amount in case of acceptance.)

There is no need to give any sort of summary or background info. Say you have a poem or story that heavily relies on the myths and folklore of some small island somewhere. Interesting, but no need to mention it. The piece should always work on its own, your storytelling skills still need to be solid, no matter where your muse hails from. The editor will in most cases be able to tell that there is folklore or myth in there anyway, and if they have a specific question, they will get back to you. If you feel the editor won't be able to tell that folkloristic aspects are important to your writing, it might be better to consider another market altogether. (Reminder: stories and poems are supposed to work on their own merit.)

Tuesday, September 11, 2012

And the winners are...

From within the hat two names have been drawn : Ash Krafton will receive the signed copy, the unsigned one goes to James S. Dorr. (In case you are wondering what this is about, read up on the Niteblade Blog Train.)

Congratulations Ash and James!



Friday, August 17, 2012

The Niteblade Blog Train: Poetry Central

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Welcome to the Niteblade Blog Train. Hop on, hop on! In case you are really only getting on now, here's the previous post.

This blog train is a celebration of five years of Niteblade, so at the end of this post, there will be PRESENTS.

But first things first. What to write about? Right. I can start with a quick introduction.

Hi, I'm Alexa, the person who reads all the poetry slush for Niteblade and selects the five poems that we publish in each issue (aka the poetry editor). I also lend my eyes for first reader duties every now and then.

When it comes to poetry, our guidelines are not very specific in regards to what we want and what we don't want, and intentionally so. But hey, since y'all are here now let me tell you what I like and don't like to read in my slush.

1. Dir Sir or Madam.
Yup, that one I don't like. You can address your correspondence to the Poetry Editor, to Rhonda (the beloved boss editor), or of course to me (which will tell me that you took the time to firgure out who's actually gonna read your work.)

You can also just say Hi or add a simple note like "Please consider my poem ___ for publication."

It's all about first impressions I guess, and while I often read a poem before I look at the cover letter, a professional sounding cover letter can't hurt.

File:Lotz Muse 1890s.jpg2. Formal stuff.
That's something I really like, partly because these days free verse is the norm. I like villanelles (like this one) and sonnets in particular, but that doesn't mean I'm bored by sestinas or the odd couplet. Do sent me formal verse

BUT: don't just make stuff rhyme. Formal verse is more than just lines of words with matching meter put together in the shape of stanzas that come with rhyming words dashed in to spice things up, it's more than just the sum of its parts. There is a reason why we consider Shakespeare a Bard and not a writer of silly doggerel. Poetry (or any writing) conveys information, but also emotion. Why else would the reader care?

3. Cliches.
Especially in a horror venue you get these, a lot. That's not to say I don't enjoy zombie apocalypse tales or your average nocturnal bloodsucker with a European accent (cf. the vamp special poetry selection of our June Issue), but unless you can throw me off balance with something new or unusual, well. Know what you are writing about, but also be sure to write something no one has ever written before.

4. LGBTQ/QUILTBAG
Yes, please. Do send me more of that. POC, too.

"This world is wide and wild
and full of wonders,"

says Seanan McGuire in her poem "Baba Yaga Said," and any work that reflects that will be warmly welcomed at Niteblade.

File:Odin rides to Hel.jpgOkay, I seem to be running out of things to put on my little list here, so perhaps just let me remind you that you should always go with the guidelines (remember what they say about guidelines in Pirates of the Caribbean? Won't fly in publishing.)

Also, if you have any questions, you can get in touch through the contact form on this blog, or drop me a line at alexa@niteblade.com.

Niteblade Spec Poetry Ed
And before the blog train leaves, didn't I mention PRESENTS at the beginning of this post?? I did, but actually, they are more like prizes: two issues of the Niteblade Special Poetry Edition, one of them signed by both Rhonda and myself. The prizes will be drawn (from a real hat, if you must know) once the blog train has ended, that is Sep 2 (the last post goes live on Sep 1). All you have to do to enter is comment here (or if for some reason that doesn't work for you, drop me a line) and let me know of a poem you really liked, old or new, from Niteblade or elsewhere, doesn't matter (for example, "The Raven" by Poe would be a valid entry.) Comments will close on Sep 1, Midnight EST.

Okay, all that's left to say is Happy Birthday Niteblade, thanks to Rhonda for five fantastically scary years, thanks for allowing me to be a part of this, and man am I looking forward to the next five!

The Niteblade Blog Train. Next stop: Brenda Stokes Barron.


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