Thursday, July 18, 2013

A Note On The 2013 Rhysling Anthology

So, some time earlier this year I found out that my poem "Give Me Pluto" was nominated for the Science Fiction Poetry Association's Rhysling Award. In a small field like poetry, and in the even smaller field of genre poetry, this nomination means A LOT to me, and I am absolutely grateful to the person who nominated me (thanks, and you rock, whoever you are) and to Strange Horizon's wonderful Sonya Taaffe for accepting the poem for publication in the first place.

But then, a couple of days ago I found out that not all of the other nominees had been sent proofs of the Rhysling anthology in which all nominated poems are collected. Although people at the SFPA are aware of this, to my knowledge, nobody has received a formal apology, and worst of all, some of these poets' pieces have been reprinted with errors in them, and in poetry, even such things as not italicizing a certain passage or forgetting a line-break here and there matter. I would think that the SFPA is very aware of this, I would think that they care.

In any case, the whole thing makes me doubt the professionalism of this anthology, and as a poet it just makes me feel sick for the other nominees to know that voting is supposed to take place based on a book that contains errors introduced some time during the making of the Rhysling anthology.

Therefore, I follow Elizabeth McClellan's example and encourage you to not buy the Rhysling anthology if you had been planning to do so, and to let the SFPA know that you are not buying it and why. I also encourage you to read this post by Lisa M. Bradly, another poet who never received her proof.

ETA 7/18: It seems SFPA President David Kopaska-Merkel sent out a proof and a brief apology now to the nominees who didn't receive their proof in the first place; while the printed version cannot be changed, this proof can thus only affect the pdf version of the anthology.

Comments are being moderated.

Monday, July 15, 2013

Devil Rhymes #3

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Devil Rhymes #3
By Alexandra Seidel

Devil, devil in the mirror,
who's gonna marry the Apple Queen?
Devil, devil, you see clearer
where's this prince 'mongst the heavens' machine?

Devil, devil, sneer not so
the Queen will marry, ho ho ho!
Rock and sticks can stop her little,
she's like poison ivy, makes men's throats brittle.

~

Sunday, January 13, 2013

Devil Rhymes #2

Read Devil Rhymes #1.

File:Little Red Riding Hood pg 11.png
Devil Rhymes #2
By Alexandra Seidel

Devil, Devil in the well
sings of peaches! Custard! Hell!
Sweet devil with the cloven hoof
c'mon, let's rock All Heaven's roof!
Climb up the ladder, up the rungs
until you screech delight in tongues!
One, two, three, four,
who's first a-knocking on Heaven's door?


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Saturday, December 29, 2012

Works Published In 2012



Short Poems (1-49 lines):

Short Stories:

Devil Rhymes

I found a little something in my Drawer of Things Unpublished; enjoy, Reader!

File:Little Red Riding Hood pg 11.png


Devil Rhymes #1
By Alexandra Seidel

The devil, devil spoke to me, spoke to me, spoke to me
The devil, devil spoke to me ALL Sunday morning!

Hush you sinners, rabble, pigs, I'll dye you a scarlet Styx!
These crooked teeth, the crooked skin, your crooked smile--
Come let me in!

And fill your hands with berries sweet, berries sweet berries sweet
ALL Sunday morning!

(In the garden--quite contrary--
where DID that magpie go??)


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Sunday, December 9, 2012

How To Write A Cover Letter

File:Clio-Mignard.jpgThis is not the first blog post ever written on cover letters, it probably won't be the last. Blame annoyed editors who are trying to channel their passive aggressive tendencies into something productive.

What is a cover letter supposed to do? Well, it accompanies your story or poem, and it is often the first thing an editor looks at. Mind you, the editor actually wants to see the story or poem, so a cover letter should not be distracting. Also, the editor is so curious to read said story or poem that they can't wait, so the cover letter should be brief.

Here I have to defer to Hal Duncan, because he did one better than this post and actually tweeted a professional cover letter:

"Dear X, pls find enclosed "Y" (ZK words) as a submission for Yr Mag. Thx 4 yr time & consideration. The end"

Like this, please.

If you are not sure who will read your submission, write "Dear Editor." If there is more than one editor (you can find stuff like that out by, you know, looking at the guidelines and browsing the zine's site for a couple of minutes), write "Dear Editors." If you know who will look at the sub, it is perfectly acceptable to address them by name (Dear Ms./Mr. X).

Do not ever address an editor with "Dear Sir or Madam." Just don't.

If it's a cover letter for a poem, you can include line and/or word count (with most sf/f markets, it is acceptable to omit this part altogether when you submit poetry as they will pay a fixed amount in case of acceptance.)

There is no need to give any sort of summary or background info. Say you have a poem or story that heavily relies on the myths and folklore of some small island somewhere. Interesting, but no need to mention it. The piece should always work on its own, your storytelling skills still need to be solid, no matter where your muse hails from. The editor will in most cases be able to tell that there is folklore or myth in there anyway, and if they have a specific question, they will get back to you. If you feel the editor won't be able to tell that folkloristic aspects are important to your writing, it might be better to consider another market altogether. (Reminder: stories and poems are supposed to work on their own merit.)

Tuesday, September 11, 2012

And the winners are...

From within the hat two names have been drawn : Ash Krafton will receive the signed copy, the unsigned one goes to James S. Dorr. (In case you are wondering what this is about, read up on the Niteblade Blog Train.)

Congratulations Ash and James!